Focus areas
- Wide angle without the boredom: why a wide view without a foreground almost always falls flat, and where to find foreground on Pilatus
- Telephoto as a landscape lens: compression, aerial perspective, ridge lines, and why 200 mm often gives the more honest panorama
- Planning light instead of hoping for it: sun position, shadow edges, and the question of where you should be standing twenty minutes beforehand
- Blue hour and night: long exposures, the lights of Lucerne, stars when the sky cooperates
- Image editing: selection, luminosity masks, colour separation at distance, and the difference between screen and print
Optional: panorama photography
Pilatus is almost unfairly well suited to panoramas. A full circle of views without obstructions, clean horizon lines in all four directions, and foreground where you need it. If the subject interests you, we build it in as a focus rather than just touching on it in passing.
We look at why a handheld panorama often falls apart in the middle, how to find and set the nodal point of your lens, how much overlap you actually need, and why exposure, focus and white balance belong on manual. Then you shoot a sequence yourself, single row or multi row, and in the evening we stitch it together and see where it breaks. Software of your choice, Lightroom covers a lot, PTGui covers more.
Mention it when you book. If you own a nodal slide, bring it. If not, we go through the principle anyway and you will see what difference it makes.
Learning goals
- You choose consciously between wide angle and telephoto instead of using whatever happens to be mounted.
- You plan a shoot around light rather than around the clock.
- You know the settings for dusk and darkness without hunting through menus in the dark.
- You take one image from RAW to finished result and understand every step you made.
- You go home with a handful of images you actually want to show.
- If panorama is your focus: you shoot a clean sequence and bring it together without ghosting or misalignment.
Day one
We meet at 3 pm at the valley station. We talk briefly about your gear and about which images you actually want to make, then we head up.
After check-in we walk the three viewpoints: Oberhaupt directly above the hotel, Esel about fifteen minutes away, and, conditions permitting, Tomlishorn via the flower trail in a good half hour. That is when we decide where we will be standing for the evening.
The first block belongs to the telephoto. Titlis and the Uri Alps to the southeast, the Bernese Alps to the southwest, the Rigi above the lake. With an inversion, a sea of fog with individual hills breaking through it. Then golden hour, alternating between both ends of the focal range, followed by blue hour as Lucerne starts to glow.
Dinner at the hotel. Then around 90 minutes of image editing: review, selection, and one image taken all the way through together. If you still have the energy afterwards and the sky plays along, we go back out for stars.
Day two
We head out before sunrise, usually towards Esel or Oberhaupt. For most people this is the strongest block, because the air is clearer in the morning and the light stays usable for longer than in the evening.
Then breakfast, followed by a closing review of just under an hour with image selection and an editing plan. We ride down around eleven, or take the guided descent if you have booked it.
The detailed plan comes together the evening before, based on the weather. Pilatus does not deliver the same thing twice, and that is the point.